Argus HD rents cinema cameras, broadcast lighting, professional audio, and live streaming kits to production teams across San Francisco and the Bay Area. Every package leaves our South San Francisco shop tested, cabled, and labeled — with the option to add an operator from the same crew that runs shoots for Google, Salesforce, and Uber.
Most rental counters hand you a case and wish you luck. Argus HD is a production company first — the cameras, lights, and streaming racks on our shelves are the same ones our crews take into Moscone Center, into Presidio conference rooms, and onto executive stages every week. If a kit is not good enough for our own broadcast, it does not go out on a rental order either.
That means the gear is current, the batteries hold charge, the media is formatted, and the cables are actually in the case. It also means the person answering the phone at 6am on a shoot day has personally run the rig you are holding. San Francisco crews rent from us because the equipment works, the timeline holds, and there is a real technician standing behind it.
Cameras, glass, lighting, sound, streaming, and display — available as single items or as a complete package built around your shoot. Rent it dry and run it yourself, or add one of our operators to the same order.
Full-frame cinema bodies, multi-camera broadcast packages, and Sony FR7 PTZ units for remote-operated coverage. Media, batteries, and a formatted card set ship with every camera.
Cine primes, zooms, and photo glass alongside fluid-head tripods, sliders, gimbals, C-stands, sandbags, and the grip hardware that keeps a set moving.
LED panels, bi-color and RGB fixtures, HMIs, softboxes, and complete interview kits — from a two-light talking head setup to a lighting grid for a hotel ballroom stage.
Wireless lavaliers, shotgun mics, handhelds, field recorders, mixers, IFB, and crew comms. Every audio kit goes out with fresh batteries, spare cable, and frequencies already coordinated.
Multi-camera switchers, hardware encoders, capture cards, program monitors, and full streaming racks configured for YouTube, LinkedIn Live, Zoom, and Vimeo before they leave the shop.
LED wall panels, projectors and screens, confidence and program monitors, and teleprompters with tablet or broadcast glass for executive presentations.
Why Choose Argus HD
Nothing leaves our shop untested. Cameras are powered up, firmware checked, media formatted, wireless channels coordinated, and every cable accounted for against a printed kit list you can check against the moment it arrives.
Take the gear and run it yourself, or add a camera operator, audio engineer, or streaming technician from our own staff. Same inventory, same standards, whichever way you book it.
You get a direct line to someone who has run the exact rig you rented. If something goes sideways at 7am on shoot day you are not filing a ticket, you are talking to a tech who can walk you through it or drive a replacement out to your set.
Our shop sits on North Canal Street in South San Francisco, minutes from SFO and a straight run up the 101 into the city. We deliver to sets, offices, hotels, and venues across the Bay Area, and we can meet an early call time when your shoot starts before the sun does.
Same-day and next-morning pickups are available at our South San Francisco warehouse, with a tech on hand to walk you through the package before you load out. For location shoots, conference ballrooms, and multi-day builds we deliver, stage the gear exactly where you need it, and collect it at wrap so your team never has to babysit a return.
Reserving is straightforward. Send your dates and shoot details and we come back with a kit list and a quote. For higher-value packages we ask for a certificate of insurance naming Argus HD as additional insured and a valid photo ID on file. You will know exactly what is required when the quote lands, not when you are standing on the loading dock.
Six steps from first message to gear back on the shelf, built so your production spends its time shooting instead of chasing a rental order.
Send the dates, the location, and what you are filming. Even a rough brief is enough for us to know whether you need two lights and a lav or a full multi-camera package.
We come back with a line-item kit list and a flat quote. Every body, lens, stand, and cable is named, so nothing turns up as a surprise charge after the shoot.
Approve the list and we reserve the gear against your shoot window, including prep and travel days. Availability is confirmed in writing, never held loosely on a promise.
Our techs build the package, power everything up, update firmware, format media, coordinate wireless frequencies, and pack it to a checklist that ships inside the case.
We deliver to your set or venue and stage it where you need it, or hand it over at the shop with a full walkthrough. Either way you get the kit list to check against before you sign.
Our line stays open for the length of your rental. At wrap we collect the gear from your location, or you drop it back at the shop, and we handle the inspection so you can get on with the edit.
A look at the packages that leave our shop most often and the productions they support across the city.
Three cameras, a switcher, program monitors, wireless audio, and a streaming encoder, delivered and staged for a two-day conference track. Rented dry for the breakouts, with an engineer added for the general session.
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A full-frame cinema body, a cine prime set, and a six-fixture LED lighting package for a three-day product film. Delivered on a prep day so the DP could test and light before talent arrived on set.
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A standing two-camera interview package with wireless lavs, a teleprompter, and a key, fill, and backlight setup, reserved on a repeating monthly block so the same look shows up at every taping.
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Argus HD crews run this inventory for Google, Microsoft, Salesforce, Uber, Twitch, and UCSF. When you rent from us you are renting gear that already has to survive a Fortune 100 live broadcast, not shelf stock waiting for its first real job.
Straight answers to what San Francisco producers, marketers, and event teams ask before they book a package.
Rates depend on the package, the number of days, and whether you need delivery or an operator. A two-light interview kit with a camera and wireless audio sits at the low end. A multi-camera streaming package with LED walls and a crew is a different order of magnitude. Send your dates and what you are shooting and we return a line-item quote with every item priced separately, no bundled mystery fees. Weekly and multi-day rates come in well below the straight daily rate.
Yes. Dry hire is available across our full inventory. You pick it up or we deliver, and your team runs it. If you would rather not, you can add a camera operator, audio engineer, or streaming technician to any order and keep the same equipment at the same equipment rate.
We deliver throughout San Francisco, the Peninsula, Silicon Valley, the East Bay, and Marin from our shop in South San Francisco, and delivery includes staging the gear where you need it on site. Pickup at the warehouse is available same day when the package is in stock, and we can meet early call times for morning shoots.
Your shoot dates, a delivery or pickup plan, and a signed quote. For higher-value packages we ask for a certificate of insurance naming Argus HD as additional insured and a valid photo ID on file. We tell you exactly what is required when we send the quote so nothing holds up your load-out.
You call the number on your kit list and reach a technician, not a queue. Most issues get solved on the phone in minutes. If a unit is genuinely down we swap it. We hold backup bodies, lights, and wireless on the shelf for exactly this reason, and we are close enough to most Bay Area shoots to get a replacement out fast.
All three. We do single-day rentals, weekend rates that treat Friday through Monday as one shorter billing block, and monthly or recurring reservations for series work and long-form productions. If you shoot on a regular cadence we will hold the same package on a standing block so your setup never changes between tapings.
Send us your shoot dates and what you are filming. We will confirm availability, build a line-item kit list, and have the package tested and ready, delivered to your set or waiting for you at our South San Francisco shop.